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“Senna” actor give up his job at McLaren to star as Alain Prost
Formula 1

“Senna” actor give up his job at McLaren to star as Alain Prost

By Miles Cooper November 30, 2024
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There’s not many racing rivalries that high the one between Ayrton Senna and Alain Prost, and that notorious duel takes heart stage in Netflix’s extremely anticipated sequence, “Senna.” The actors tasked with reworking into two of Formulation 1’s most iconic figures — Gabriel Leone and Matt Mella, who’re portraying Senna and Prost, respectively — definitely had some racing sneakers (and likewise egos) to fill.

Mella (enjoying Prost) credited one other Netflix title , “Drive to Survive,” with reigniting his ardour for the game. “I knew [Senna and Prost] was thought-about one of many nice rivalries of sport, however I did not know the ins and outs of it. In order that was an entire new world to open up.”

For Mella, enjoying the French, four-time world champion got here with an uncommon caveat: he needed to depart his real-life F1 connections behind to be able to tackle the function. “I really labored for McLaren in 2021 and 2022 and was imagined to work for them once more final yr, doing a little internet hosting in French,” Mella advised Motorsport. “Clearly, final yr, I needed to name them and say, ‘I am sorry, I can not be just right for you guys, however I can not let you know why,’ which they thought was a bit bizarre.”

Leone (enjoying Senna) was born only one yr earlier than Senna’s tragic loss of life in 1994, and didn’t develop up watching F1, however was nonetheless deeply moved by the chance to painting the Brazilian legend. He, like his co-star and on-camera rival, started watching “Drive to Survive” whereas capturing “Ferrari” in Italy. Leone shared, “After I obtained the information I’d play Senna … it was simply an enormous honor, and positively the largest problem of my profession.”

“Senna” actor give up his job at McLaren to star as Alain Prost

“Senna” Netflix sequence scene of Prost and Senna’s automobiles within the gravel on the Japanese Grand Prix.

Picture by: Netflix

To know the late motorsport legend’s life off observe, Leone turned to Senna’s relations for assist. “The perfect factor to come back from our conversations was to be taught extra about Ayrton as a person, as a member of the family, a brother, an uncle. That is what I discover fascinating about our present — it is not solely about one of many biggest racing drivers of all time but in addition concerning the man behind the driving force,” he mentioned. Leone was additionally given unprecedented entry to Senna’s private archives. “Listening to his household was such a privilege. They shared with me a few of Senna’s letters from the early years in Formulation Ford, recordings of cellphone calls that they had within the ’80s. It was superb,” he continued.

Studying and precisely portraying your character’s real-life persona is one factor, turning into them with the look and sound on digicam is one other. “I used to be praying greater than anything for my hair to develop as a result of I did not wish to put on a wig,” Leone admitted with fun. Mella chimed in, “They did attempt to put a wig on him first, and it’s best to have seen his face. They used extensions of Gabby’s personal hair, which he had minimize for an additional job, and somebody had saved the locks of [it]. And so that you had extensions of your individual hair, proper?”

“Just for the primary week,” Leone clarified. “Then my hair obtained to the fitting spot. However the difficult factor to search out was his voice. He had a method higher-pitched, extra nasaly voice than mine. In fact, I knew how necessary it could be to get as shut as potential to it as a result of folks bear in mind his voice.”

However the sequence allowed them to make the most of their creative freedom, which was typically extra necessary than their adherence to the imitation. “Our selection was between capturing nice scenes and making an awesome present in the long run, or attempting to be as shut as potential to them,” Mella mentioned. “To be involved about that wouldn’t have allowed us to be as free and linked with the second.”

 “There are fairly a couple of arguments between us within the sequence. I believe each of us got here out of a type of arguments and we have been like, ‘Jesus, that simply seemed like us screaming at one another.’ And we have been like, ‘Okay, however nobody is aware of what it seemed like when Senna and Prost have been screaming at one another, so let’s simply use sufficient of ourselves.'”

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On this article

Emily Selleck

Formulation 1

Tradition

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